Anya Taylor-Joy looks chic in a white dress which clung to her figure as she supported Tom Holland at his Romeo & Juliet performance on Wednesday.
Man of the moment Tom, 27, also had F1 champion, Lewis Hamilton, 39, coming along to watch his critically-acclaimed show.
Furiosa star Anya, 28, looked incredible as she was pictured leaving the Duke of York Theatre alongside her husband, More musician star Malcolm McRae.
He wore a denim shirt and rockstar jeans for the outing along with a dark coat.
Lewis was wearing a rather subdued ensemble compared to his usual wacky looks, as he was guided out wearing a grey jumper and a dark jacket and muted jeans.
Anya Taylor-Joy looked chic in white dress as she and her husband Malcolm McRae supported man of the moment Tom Holland at his Romeo & Juliet performance at the Duke of York Theatre on Wednesday
Lewis Hamilton was also present and he was wearing a rather subdued ensemble compared to his usual wacky looks, in a grey jumper and a dark jacket
All eyes were on the main man Tom as he emerged with his arms up in the air as he waved to crowds while clutching a cup of tea in hand
But all eyes were on Tom as he emerged with his arms up in the air as he waved to crowds while clutching a cup of tea in hand.
Swapping his Hollywood look for a Hackney-inspired ensemble. he wore a buttoned up denim jacket with jeans and a man bag worn crossbody.
Hundreds of fans have been gathering on Martin’s Lane to catch a glimpse of their idol Tom as he performs in the new show.
Earlier this week, crowds were told there would be ‘no autographs or selfies’ with the film star as he made his way through the venue’s stage door.
But each night Tom has been standing and wave to his fans so they could get the all important pictures and footage for social media.
In February more than 60,000 frenzied fans, including TC, scrambled to buy tickets for Holland’s West End run. Tickets sold out in two hours.
Some compared the stress of trying to get their hands on tickets as on par with Taylor Swift ‘s Eras tour, which has brought in $1.04billion with 4.35m tickets sold across 60 tour dates.
Tickets for Romeo and Juliet are now on resale for around £300 each.
Anya looked ethereal in her all white ensemble, adding a pop of colour with a slick of red lipstick
Anya added some height to her look with sky-high heels
Lewis was being ushered out of the venue to his waiting car at the end of the night
Swapping his Hollywood look for a Hackney-inspired ensemble. he wore a buttoned up denim jacket with jeans and a man bag worn crossbody
Hundreds of fans have been gathering on Martin’s Lane to catch a glimpse of their idol Tom as he performs in the new show
But each night Tom has been standing and wave to his fans so they could get the all important pictures and footage for social media
Tom actor, 27, is playing Romeo Montague (pictured) in Shakespeare’s famous romance
The play stars Francesca Amewudah-Rivers as Juliet and Tom as Romeo
DAILY MAIL’S PATRICK MARMION REVIEWS ROMEO AND JULIET
Spider-Man Tom Holland was never going to have much difficulty scaling the walls of the Capulets¿ villa in Verona to reach Juliet¿s balcony in Shakespeare¿s love story.
But in the event, Jamie Lloyd¿s daringly dirgeful production, which opened in the West End last night, only requires him to reach the giddy heights of a microphone stand.
Yes, this new production of Romeo & Juliet is a typical example of Lloyd celebrity minimalism ¿ following in the footsteps of James McAvoy in Cyrano and Nicole Scherzinger in Sunset Boulevard.
As usual, that means a run on mics in the capital for a production that is whispered ¿ and sometimes merely breathed ¿ into the amplification system.
As usual, that means a run on mics in the capital for a production that is whispered ¿ and sometimes merely breathed ¿ into the amplification system
Gone is the sunshine of fair Verona, where Shakespeare lays his scene.
Instead, we get the Stygian darkness of Soutra Gilmour¿s stage design ¿ empty but for lighting rigs and a giant cinematic billboard relaying close-ups of the action as cameramen track actors on stage, and around the building itself (Romeo¿s banishment to Mantua takes him up on to the roof).
The play is famously preoccupied with death and Lloyd makes the most of that, with a cast dressed in black jeans, T-shirts and hoodies. It¿s monotone, monochrome and mannered. If you took the production¿s pulse, you might be tempted to call a priest.
Sometimes, it even feels as if Lloyd is deliberately trying to throttle the life out of the febrile passion that normally drives this headlong love story. And yet, cometh the hour, cometh the (Spider) man… all 5ft 8ins of him.
Damn, he¿s a buff and good-looking bloke. His commanding cheekbones and curving jaw suck the breath from the audience and keep us wrapped in his dreamy gaze.
Instead, we get the Stygian darkness of Soutra Gilmour¿s stage design ¿ empty but for lighting rigs and a giant cinematic billboard relaying close-ups of the action as cameramen track actors on stage, and around the building itself (Romeo¿s banishment to Mantua takes him up on to the roof)
It¿s monotone, monochrome and mannered. If you took the production¿s pulse, you might be tempted to call a priest
Sometimes, it even feels as if Lloyd is deliberately trying to throttle the life out of the febrile passion that normally drives this headlong love story. Pictured: Daniel Quinn-Toye stars as Paris
Nima Taleghani (pictured) stars as Benvolio
I missed the colour of the masked ball where Romeo and Juliet meet, and the drama of the sword fight when Romeo calamitously kills Juliet¿s cousin Tybalt
After meeting Juliet he does a jig like a footballer celebrating a goal, but otherwise moves with the precision of a cat. And although it¿s stillness he does best, the shy smiles he scatters on his beloved are ¿ in Hollywood terms ¿ worth a million dollars. In the circumstances, Francesca Amewudah-Rivers holds up well as Juliet.
Lloyd discourages her from showing too much personality or independent spirit (as he does everyone), yet she has a quiet maturity that sits easily with the poetry.
Likewise, Michael Balogun as Friar Lawrence imposes gravitas and good sense on the not so rash young lovers. The one surprise is Freema Agyeman as Juliet¿s youthful Nurse.
Normally ample, ageing and garrulous, Nurse is here a 30-something party girl with attitude. Much of her wittering in the Bard¿s original is cut, and instead she gets lines from Juliet¿s mother, who is controversially ditched altogether.
I missed the colour of the masked ball where Romeo and Juliet meet, and the drama of the sword fight when Romeo calamitously kills Juliet¿s cousin Tybalt.
But we may not get a chance to see Holland live on stage again if Hollywood has its way ¿ so happy are they who have a ticket already for this curious but nearly sold-out requiem. And even happier they who can afford £275 a pop
Pictured: Tom Holland as Romeo
Freema Agyeman (pictured) stars as nurse
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