Bridgerton‘s Simone Ashley looked regal at the Monte-Carlo Television Festival on Friday – a day after the period drama dropped its raciest episodes yet.

Simone, 29, who found fame on Sex Education, also on Netflix, looked flawless in a figure-hugging dark red gown, intricately designed with leaves which appeared submerged.

She then shared a sweet kiss of greeting with Albert II, Prince of Monaco, on stage at the Opening Ceremony. 

The monarch was there to present Ashley with the International Golden Nymph award for Most Promising Talent at the 63rd annual festival.

Prince Albert, 66, the eldest son of the late Grace Kelly, wore a black suit with a white shirt and a patterned blue tie. 

Bridgerton’s Simone Ashley, 29, looked regal at the Monte-Carlo Television Festival on Friday – a day after the period drama dropped its raciest episodes yet

Simone who found fame on Sex Education, also on Netflix , looked flawless in a dark red gown intricately designed with leaves which appeared submerged

She then shared a sweet kiss of greeting with Albert II, Prince of Monaco, 66, on stage at the Opening Ceremony 

Albert warmly shook hands with Morgan Freeman, 87, who looked suave in black sunglasses and a black suit. 

Kelly Rutherford, 55, flashed some skin in a low-hanging sleeveless loose black dress and accessorised with long dangly silver earrings. 

Bridgerton series three Part 2 dropped on Netflix on Thursday and picked up right where fans left Colin Bridgerton (Luke Newton) and Penelope Featherington (Nicola Coughlan).

Kate Bridgerton (Simone) and her husband Anthony Bridgerton (Jonathan Bailey), who led series two, featured frequently.

Though Part 2 featured a six-minute sex scene, some fans were still left unimpressed.

Fans were cast back to the very first series when Nicola, 37, stripped fully nude in front of her soon-to-be husband.

But they will be left disappointed as they watch on and discover that there’s not much more to come. 

And while Variety‘s Aramide Timudu called the scene of the ‘sexiest things seen on television since Bridgerton series one’, the Evening Standard’s Vicky Jessop felt the highly anticipated regency romp left a little to be desired.

The monarch was there to present Ashley with the International Golden Nymph award for Most Promising Talent at the 63rd annual festival 

Prince Albert, the eldest son of the late Grace Kelly, wore a black suit with a white shirt and a patterned blue tie

Albert warmly shook hands with Morgan Freeman who looked suave in black sunglasses and a black suit

The men shared a hearty laugh together and Morgan looked down as Albert put a supportive hand on his back

The Academy Award winner, 87, attended with a female guest who also wore black offset it with a black and white sheer cardigan

Morgan wore a tan-coloured compression glove which has become a permanent fixture in recent years

His left hand is paralysed, following 2008 car crash, and he suffers from painful nerve damage which the glove helps alleviate

Victoria Silvstedt look phenomenal in a semi-sheer lace-detailed red gown paired with silver accessories

Amethyst Davis looked lovely in a deep purple gown with lots of thrills and she, too, accessorised with silver

Princess Camilla de Bourbon des Deux-Siciles put on a flirty display in a one-shoulder sequinned black top and wide-legged pink trousers

Princess Maria Carolina de Bourbon des Deux Siciles skipped forward in a gorgeous green floral dress

She accesorised with silver strappy heeled sandals and a gorgeous heart shaped solid silver purse

Kelly Rutherford flashed some skin in a low-hanging sleeveless loose black dress and accessorised with long dangly silver earrings

(L-R) Myriam Gharbi De Vasselot, Simon Ehrlacher, Kelly, Marysole Fertard, Charlotte Toledano-Detaille, and Nadia Roz at the opening ceremony

Despite the fact Part 2 of Simone’s series Bridgerton featured a six-minute sex scene between Nicola Coughlan (pictured) and Luke Newton, some fans and critics were left unimpressed 

‘Steamy this is not,’ she said. ‘Watching it feels like seeing two teenagers fumbling their way through an awkward clinch.’ 

Critics’ opinions on part two were largely restricted to episode five and six, as Netflix guarded the final two for its main drop on Thursday.

Vicky gave part two a damning two-star review, as she asked: ‘Is Bridgerton losing its touch?’

The critics’ views on Bridgerton series three part two  

Evening Standard

Rating:

Vicky Jessop: ‘Steamy this is not. Watching it feels like seeing two teenagers fumbling their way through an awkward clinch. Is Bridgerton losing its touch? Francesca’s love affair with Lord John Stirling is snooze-worthy – all those painful silences! Yes, we get it, they’re shy!’  

The Telegraph 

Rating:

Anita Singh: ‘Aside from Penelope’s heaving bosom, though, this third series remains a dud. Her extensive sex scene with Colin has a cringe-making quality – think EL James’ Fifty Shades with all of the terrible dialogue but none of the nipple clamps. Away from the main couple, the plot barely exists.’ 

The Independent 

Rating:

Kate Rosseinsky: ‘The wheels are starting to come off the Bridgerton carriage – and the final two episodes will need to be pretty dramatic to get things back on track.’ 

The Daily Mail 

Rating:

Christopher Stevens: ‘Stars Nicola Coughlan and Luke Newton have been promising for weeks that this time, in two newly released episodes, Bridgerton goes all the way. And they weren’t fibbing… though, for such an explicit sex scene, it was also oddly chaste.’ 

The Times 

Rating:

Carol Midgley: ‘I call Bridgerton the “toffs, t**s and titles” show, but here another t-word is at play — tenderness. Coughlan’s aforementioned breasts should get some kind of award for all the heaving they do. Good lord, they’re up and down in those frocks like a pair of airbags.’

Variety

Aramide Timudu: ‘The primary sex scene between Polin involving a full-length mirror and a chaise lounge is one of the sexiest things seen on television since Bridgerton Season 1. Fans may still gripe at the lack of sensual activity on screen, but this mirror section is absolutely intoxicating and beautifully done.’

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