Portrait Gina Rinehart doesn’t want you to see: mogul demands National Gallery remove her image

It features in the first major survey at the NGA of Namitjira’s work, titled Vincent Namatjira: Australia in colour, which opened on March 2. Namitjira could not be reached for comment.

The gallery bills the show as one that takes a “wry look at the politics of history, power and leadership from a contemporary Aboriginal perspective”. Namitjira is a celebrated portraitist and a satirical chronicler of Australian identity.

Rinehart’s request is understood to have been rejected by the gallery on the basis the cultural institution’s artistic vision should not be swayed by individual public opinion.

In response to a series of questions about Reinhart’s complaint, Mitzevich issued a carefully worded statement from the gallery.

“The National Gallery welcomes the public having a dialogue on our collection and displays,” the gallery said.

“Since 1973, when the National Gallery acquired Jackson Pollock’s Blue Poles, there has been a dynamic discussion on the artistic merits of works in the national collection, and/or on display at the gallery. We present works of art to the Australian public to inspire people to explore, experience and learn about art.”

Rinehart was contacted for comment through Hancock Prospecting.

The dispute follows a series of controversies for Rinehart. In March last year, she withdrew her $15 million sponsorship of Netball Australia after Indigenous player Donnell Wallam asked for her uniform not to include the Hancock Prospecting logo.

Wallam was protesting against comments made by Rinehart’s father and Hancock Prospecting founder Lang Hancock in 1984 that Indigenous Australians should be sterilised and “breed themselves out”.

Rinehart has refused to condemn her father’s comments and cancelled her funding for Netball Australia after players refused to wear her company’s logo.

In June, Rinehart claimed the West Australian government’s changes to Indigenous heritage laws after Rio Tinto’s destruction of the ancient Indigenous site at Juukan Gorge in 2020 would force homeowners to get heritage approval to build granny flats in their backyard.

The 70-year-old has also drawn praise from some Indigenous leaders for millions of dollars in funding given via the Roy Hill Community Foundation which provides scholarships, training, work experience and internships through the Madalah organisation.

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